Best Budget Audio Interfaces 2019 – Reviews & Buyer’s Guide

1. Focusrite Audio Interface
2. Behringer Audio Interface
3. Tascam Audio Interface

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The search for the best budget audio interfaces would have made you land on this page, regardless of whether you need to consider it an audio interface or a soundcard, in the event that you make music on a PC, it bodes well to get the best box of I/O traps that you can.

A sound interface is a gadget that acknowledges simple amplifier and line-level signs, changes over them to computerized for capacity and handling in a PC, and can likewise do the inverse: acknowledge advanced sound signs from the PC and convert them back to simple signs to drive studio screens, earphones, and analog processing gear.

We have sound cards introduced on our PCs, so why go for a sound interface? Most standard PC sound cards just offer a buyer reviewed stereo line-level contribution for associating sound players and comparative rigging. For good output, it will probably have a stereo earphone or potentially speaker yield.

Regardless of whether your recording plans are simple, such as recording your voice for a podcast, the sound card needs appropriate connections. With a specific end goal, you will require a XLR contribution for your mic and a high-Z telephone plug input.

You’ll additionally require quality yields that will enable you to screen your chronicle and sound-alter using speakers as well as earphones. The yield enables you to play back your chronicles without the jitter, commotion, and idleness normal with standard PC sound cards.

Factors To Consider While You’re Buying the Best Budget Audio Interface

Whenever you’re asked, “Which is the best budget audio interfaces?”, react with an inquiry: “What would you like to do with it?”

Knowing what your necessities are

Stereo portable recording, following a full band, recording guitar/vocal overdubs, creating virtual instruments, making speedy tune demos, etc — will go far toward figuring out which interface will be best for you.

Will you snare the interface to your PC by means of USB, FireWire, Thunderbolt, or an exclusive association? Some “hybrid” interfaces bolster in excess of one convention, however, this initial step will limit your hunt extensively.

Cost is dependably a thought. Yet, when you work through the rundown, you’ll have narrowed the field to a short rundown of sound interfaces that will possess all the necessary qualities. Now, you can pick the one that accommodates your budget plan. A few people want to begin with cost as the primary thought, yet as far as it can be told, you’re in an ideal situation to begin with other requirements first.

USB

You’ll discover USB 2.0 and 3.0 ports on all more up to date PCs, the two Macs, and PCs. A considerable lot of the interfaces intended to work with USB draw their capacity from the PC or other host gadget making them perfect for versatile chronicle rigs. Most iOS-empowered gadgets associate with the sound interface utilizing USB.

FireWire

Found fundamentally on Mac PCs and planned for use with Apple, it gives steady, rapid information exchange that makes it appropriate to multi-channel recording. PC proprietors can likewise utilize Firewire by introducing an extension card in their PC. More up to date Apple workstations are furnished with expedient Thunderbolt ports.

Jolt

This high-data transmission Intel innovation is now introduced on the freshest Mac PCs. It can likewise be utilized on PCs furnished with Thunderbolt choice cards. It offers incredible information exchange rates and low inactivity execution for the most requesting PC based chronicle.

PCIe (PCI Express)

This is an inward card-based PC association stage that is fundamentally found in workstations. Since these cards are connected specifically to the PC motherboard, they require an accessible PCIe opening for an establishment, which a few PCs may need. The PCIe association gives high information transmission capacity and low inertness, permitting sound interfaces.

With 4 mic preamps, a 42-tally I/O cluster, and Thunderbolt availability, the Universal Audio Apollo 8 Thunderbolt Audio Interface has the associations and muscle to deal with many band recording ventures. Shockingly better? It includes ongoing UAD handling, enabling you to utilize Universal Audio’s exceptionally respected modules.

What Level Of Sound Quality Do You Require?

Similarly, as with most things, you get what you pay for with sound interfaces. Those with the most noteworthy quality parts, including computerized converters and mic preamps, have prices that mirror that quality. All things considered, for everything, there are some extremely commendable models accessible at low costs.

Here are the key variables and specs that impact by and large sound quality:

Bit profundity

Digital chronicle changes over your simple sound into bits and bytes. Without getting excessively specialized, the more noteworthy the number of bits, the higher the level of constancy when contrasted with the first flag. Loyalty is to a great extent, a matter of how well the computerized bitstream can catch the music’s elements while taking out the commotion.

The sound CD utilizes a 16-bit standard that conveys a dynamic scope of 96dB. Lamentably, the commotion floor in a computerized recording is genuinely high, so recording at 16 bits implies that some clamor will be apparent in your music amid calmer sections.

24-bit recording, the ace sound standard today, conveys 144dB of dynamic range, taking out all commotion and giving a lot of headroom to extremely powerful exhibitions. On the off chance that you can bear the cost of an interface with 24-bit prep, you’ll see it will deliver smoother, more expert sounding outcomes.

Test rate

Think of test rates as the advanced depictions your sound rigging catches from minute to minute. Compact discs utilize a 44.1kHz example rate—each second your computerized recording framework takes 44,100 photos of the approaching sound flag. This hypothetically implies your framework can catch frequencies up to 22.05kHz—well over the scope of the human hearing.

Be that as it may, it isn’t so much that basic. Once more, without getting excessively specialized, higher examining rates catch data that adds to in general loyalty, and all the more fulfilling sound. Subsequently, numerous studio aces work at 48kHz, 96kHz, or even 192kHz inspecting rates.

Choosing what level of loyalty you require comes down to intuition about what you intend to do with your music. In case you’re dealing with a demo, 16-bit/44.1/kHz preparing ought to be satisfactory. Yet, for business, soundtrack work, and other master level ventures, 24-bit/96kHz handling is prescribed to help give your sound an expert sheen.

Converter Quality

Analog to advanced (A/D), and computerized to simple (D/A) converters are the gadgets that proselyte the approaching simple sound signs into computerized information, and the advanced information from the PC once more into simple sound yield signals. Similarly, bit rates and testing profundity is as important as the quality and precision of the converters in your interface. They are the place the sonic elastic meets the street. As noted previously, greater sticker prices, for the most part, come with better quality converters.

Top 10 Best Budget Audio Interfaces 2019

Focusrite Scarlett Solo 2nd Gen Audio Interface1. Focusrite Scarlett Solo 2nd Gen Audio Interface

The new Scarletts offer marginally preferred sound particulars over the originals, with dynamic range cited as 106dB for a large portion of the 2i2’s intricate details, and 109dB and 108dB individually for the 18i20’s information sources and yields.

Not an indistinguishable group from the Claretts, yet, one of the best budget audio interfaces. New mic preamp hardware is said to offer less pick up ‘packing’ at the highest point of the dial, and the high-impedance inputs have been overhauled to adapt to more sweltering guitar signals. Because of the high popularity this product enjoys, it could be tagged as the best budget audio interface in 2018.

Features:

  • One characteristic sounding Scarlett mic preamp.
  • One recently outlined instrument input, intended to deal with genuinely hot pick-ups.
  • Class-driving change and test rates up to 192kHz/24-bit.
  • Super-low latency for utilizing your modules continuously without the requirement for DSP.
  • Earphones yield with gain control.
  • Stereo line yields on RCA phono for interfacing with home speakers.
  • Small enough to take anyplace.
  • Controlled by USB so you don’t have to carry a power link.
  • Incorporates Pro Tools First Focusrite Creative Pack and Ableton Live Lite.
  • Red 2 and 3 Plug-In Suite, Softube Time and Tone Bundle, and 2GB of Loopmasters
  • Samples are incorporated as a free download.
  • Focusrite offers a 2-year producer’s guarantee.

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Behringer U-Phoria UM22. Behringer U-Phoria UM2

Behringer in their UM2, has a well disposed 2×2 USB sound interface for home studio clients who have just unobtrusive prerequisites. UM2’s suspension is in certainty built of plastic, with not a single metal part in sight on the outside shell.

Controls, additionally plastic, are somewhat free, just like the jack attachments, yet they all function admirably in the task and no critical issues are expected in a home studio condition.

Features:

High Quality dual channel USB recording interface for your Mac or Windows PC.
Combo contribution with XENYX preamp gives you a chance to connect to any receiver or line-level equipment.
+48V phantom power gives you a chance to utilize studio condenser receivers.
Committed instrument-level information obliges your guitar or bass.
Earphone and RCA stereo yields give simple observing.
Incorporates downloadable duplicate of Tracktion DAW and 150 downloadable instrument/impact modules.

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Tascam 16x8 Channel USB Audio Interface3. Tascam 16×8 Channel USB Audio Interface

On to the 16×08. The Tascam site has every one of the specs and manuals, simply look there, on the off chance that you need to become acquainted with this mammoth. You can even test-drive the shiny new ASIO driver board, as it works without the unit connected.

It has a better than average form quality and an all metal case. The potmeters are small, however, given enough obstruction and space around them. Its inward guts likewise look very great. The information recurrence reaction is very level, despite the fact that the highs from around 10kHz are a slight bit (+1dB) overstated.

A flexible 16-in, 8-out USB 2.0 sound interface with locally available DSP and up to 24-bit/96kHz goals.

8 Ultra-HDDA receiver preamps convey tidy and calm activity with up to 56 dB of gain.
2 of the 8 line inputs offer switchable instrument-level more for coordinate bass and guitar recording.

8 adjusted line-level yields oblige numerous screen blends and detachable prep.
MIDI I/O gives you a chance to interface consoles and controllers without extra equipment.
Installed DSP blender offers idle free screen blending and adaptable steering.

DSP additionally gives a 4-band equalizer and pressure on each information channel for smoother following. Because of the good set of features, this comes in at 3rd spot in our list of best budget audio interfaces.

Class-compliant USB is good with Mac and Windows PCs and in addition iOS as well.
Incorporates removable rack ears for mounting in a standard 19″ gear rack.

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Behringer U-Phoria UMC204HD4. Behringer U-Phoria UMC204HD

Behringer’s U-PHORIA UMC204HD is a gear, that is a standout amongst the most proficient sound interfaces out there under a budget plan. Behringer U-PHORIA UMC204HD brings strong and reliable output. Those MIDAS receiver preamps are a dream when recording vocals.

Their intrinsic lucidity is really amazing considering the cost of U-PHORIA interfaces. U-PHORIA UMC204HD is somewhat exceptional. With its two information sources and four yields, it gives you a lot of flexibility while protecting its reduced size. The way that it works incredibly with hot pickups settles as an ideal decision for spending home recording studios.

Features:

The whole U-PHORIA line of interfaces is essentially amazing when you take a gander at the measure of highlights it offers. There are various different interfaces out there, yet this brings the measure of flexibility. If there should be an occurrence of U-PHORIA UMC204HD, you are taking a gander at two information sources, and four yields.

The two information sources include a joined XLR/TRS port and every one of them is wired to Behringer’s MIDAS receiver preamp. Channel controls are genuinely fundamental. There’s the gain control for every individual info, a weakening cushion and a switch that gives you a chance to pick among line and instrument inputs.

Alongside those, we see a Stereo/Mono catch, a Mix handle, Main Out handle and additionally the immediate screen catch and ghost control pointer. In the back, Behringer introduced a MIDI combine of outs, a stereo RCA group and a stereo 1/4″ TRS bunch.

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Native Instruments Compelte Audio Interface5. Native Instruments Compelte Audio Interface

The Komplete Audio 6 is another clench fit, rock solid metal interface from Native Instruments. As a perfect accomplice to a PlayStation (and a perfect prologue to their product), it’s compact enough to sling in a bag and sufficiently adaptable to make DJs glad.

Its fundamental strong point is its six intricate details, without the requirement for outside power. There’s four adjusted quarter-inch outs on the back and four ins by means of combo jacks and quarter-inches. Data sources and yields ‘5/6’ remain solely S/PDIF.

Features:

  • Separate monitor level knob and ability to kill the signal or sum it to mono with a pair of push buttons.
  • A separate headphone level knob (with a selector for whether it listens to ‘1/2’ or ‘3/4’).
    The headphone can be used in and out and you’ve actually got three stereo outs each with hardware level controls right on the box.
  • Top mounted main-volume dial.
  • The level of ‘1/2’ out can be controlled.
  • Installation requires a simple driver to be added.

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Behringer U-Phoria UMC226. Behringer U-Phoria UMC22

Behringer’s U-PHORIA UMC22 is a reasonable answer for prepared home recording aficionados and fledglings alike. There are two contributions to record mics and instruments; a 1/4″ standard info, and a MIDAS-composed mic preamp with +48v apparition control, which effectively fuels the Rode NT1-A condenser mouthpiece. The Rode performs breathtakingly on the UMC22, giving your vocals a characteristic, warm tone.

Features:

  • 2×2 USB sound interface for recording mouthpieces and instruments.
  • Audiophile 48kHz goals for proficient sound quality.
  • Perfect with prominent chronicle programming including Avid Pro Tools*, Ableton Live*, Steinberg Cubase*, and so forth.
  • Streams 2 inputs/2 yields with ultra-low dormancy to your PC, supporting Mac OS X* and Windows XP* or higher.
  • Cutting edge, MIDAS outlined Mic Preamplifier with +48V apparition control.
  • Intense Phones yield with Level control and Direct Monitor.
  • Status, Signal and Clip signs.
  • USB port for association and power.
  • Free sound account, altering and podcasting programming, in addition to 150 instruments/impact modules downloadable at behringer.com.
  • “Manufactured like-a-tank”, affect the safe metal skeleton.
  • 3-Year Warranty Program.
  • Outlined and built in Germany.

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Steinberg UR12 USB Audio Interface7. Steinberg UR12 USB Audio Interface

The most recent in Steinberg’s UR scope of USB 2.0 sound interfaces denotes the base of the heap regarding cost and I/O yet coordinates whatever is left of them for manufacture quality and similarity (Mac, PC, and iPad, through 30-stick or Thunderbolt-to-USB connector). A stark looking metal-surrounded section 159 x 144 x 46mm and weighing 850g, it’s not the smallest or lightest portable interface we’ve ever run into, however, it’s absolutely one of the sturdiest.

Features:

  • Fantastic 24-bit/192kHz USB 2.0 sound interface with extraordinary simple and advanced hardware.
  • Steinberg’s D-Pre Class-A discrete mic preamp with +48V apparition control i available, to give you amazing simple sound.
  • Line level RCA yields for interfacing your studio screens.
  • Dormancy free equipment..
  • Cross-stage similarity for iOS, Mac OS X, and Windows.
  • Incorporates Cubase AI music generation programming.

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M Audio M Track 2X2 C Series USB Audio Interface8. M Audio M Track 2X2 C Series USB Audio Interface

The M-Track 2X2M and 2X2 are the most recent augmentations to M-Audio’s broad cluster of sound interfaces, both including an ergonomic work area ‘screen controller’ shape factor. Outstandingly, the two interfaces use the exceptional USB Type-C connector. While the incorporation of USB-C is probably going to be alluring to the individuals who possess ultra-convenient PCs, a USB-C to USB-A link is given in the crate to anyone yet to hop on that specific fleeting trend. We’ll take a gander at the contrasts between the two as we come, however basically the 2X2 is a chopped down adaptation of the 2X2M, without its additional information attachments and MIDI I/O. This is reflected in their relative costs.

Features:

  • USB 2, transport controlled utilizing a USB-C connector.
  • Requires Mac OS 10.8 or later; Windows 7 or later.
  • 24-bit, 192kHz chronicle.
  • Two synchronous sources of info, highlighting two ‘combi’ mic/line information sources and two instrument inputs.
  • Two adjusted TRS line yields.
  • Quarter-inch earphone yield.
  • MIDI In/Out.
  • Provided with two USB links (USB-A to USB-C; USB-C), Cubase LE and AIR module package (Creative FX Collection; Xpand!; Strike; Mini Grand).
  • M-Track 2X2
  • As 2X2M above, with the exception of:
  • Two concurrent information sources (one ‘combi’ mic/line input, one instrument input).
    No MIDI In/Out.

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Steinberg UR44 Audio Interface9. Steinberg UR44 Audio Interface

It’s a determinedly assembled, minimal interface with all the helpful stuff. It has inputs, apparition power, and earphones open on the front, and the more useful stuff, for example, yields, MIDI and information sources five and six round the back. Spec features incorporate four Class-A D-PRE mic preamps, change at 24-bit and up to 192kHz, installed DSP, and USB Class Compliant mode so you’re set with an iPad.

Features:

  • An incredible 6-in/4-out, 24-bit/192kHz USB 2.0 account interface for your Mac, PC, or iPad.
  • I/O incorporates 4 Class A D-PRE preamps with apparition power and 2 x instrument inputs.
  • Locally available DSP gives inertness free screen blending and observing with impacts and handling.
  • Pugged full-metal frame gives the solidness you need to take your chronicle fix out and about.
  • Incorporates Cubase AI DAW programming.
  • Packaged with Steinberg’s Basic FX Suite VST 3 modules.
  • iOS compatible (with the Apple iPad Camera Connection Kit)

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10. Presonus Audiobox USB Audio Interface

Presonus Audiobox USBA good option for mobile artists and podcasters alike, the 2-channel AudioBox USB 96 is portable, smaller, toughly manufactured, and works with for all intents and purposes any PC or Mac recording programming.

It flaunts superior Class A mic preamplifiers and expert quality, 24-bit, 96 kHz converters. Furthermore, it accompanies PreSonus’ astonishing Studio One 3 Artist DAW programming for Mac and Windows.

The AudioBox USB 96’s two front-board combo mic/instrument inputs make it perfect for vocalist/musicians, podcasters, and guitar or guitar-bass joint efforts. Just interface two or three mics and you have a simple to-utilize stereo account framework. A blend control gives you a chance to control the level between the information and PC playback, without hearing irritating deferrals.

You additionally get a couple of adjusted line-level yields, an ultra-uproarious, perfectly clear earphone out, in addition to MIDI I/O, so you can interface your most loved synth or MIDI controller. The outcome is a basic, reasonable, versatile account arrangement.

Features:

  • Esteem pressed 2-channel USB 2.0 interface for an individual and convenient recording.
  • Records at up to 24-bit/96kHz.
  • Double preamplifiers with combo inputs let you record amplifier and instrument-level sound.
  • Locally available +48-volt apparition control obliges studio condenser receivers.
  • Inward simple blender gives you a chance to mix coordinate info and playback motion for free checking.
  • Versatile benevolent USB transport control implies there’s no compelling reason to convey an extra power supply.
  • Perfect with about any account programming on Mac or Windows working frameworks.
  • Incorporates PreSonus Studio One Artist DAW programming and more than 6GB of outsider substance.

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Conclusion

These are the top ten best budget Audio interfaces as per our research, they have received positive ratings from existing customers. Ensure you conduct your own research before making a buying decision.